This year at the American Academy I’ve primarily been finishing my third novel, The Unseen World, which will be published next year by W.W. Norton. Here’s a brief passage from the opening of the book:
First, it was late August and David was hosting one of his dinners. “Look at the light, Ada,” he said to her, as she stood in the kitchen. The light that day was the color of honey or of a roan horse, any warm organic thing like that, coming through the leaves of the tree outside the window in handsome dapples, lighting parts of the countertop generously, leaving others blue.
David said to her, “Please tell me who explained the color of that light.”
“Glassman,” she said.
And he said, “Please tell me who first described refraction.”
It was a name she couldn’t remember, and she placed a hand on the counter next to her, unsteadily.
“Ibn Sahl,” he said to her. “It was the genius Ibn Sahl.”
David was fond of light in all its forms, fond of recalling the laws of optics that govern it. He had a summer cold that day, and from time to time he paused to blow his nose, gesticulating between each exhalation to make some further point. He was wearing his most comfortable shirt, wearing old leather sandals that he had bought for himself in Italy, and his toes in the sandals flexed and contracted with the music he had chosen—Brendel, playing Schubert—and his knees weakened at each decrescendo and straightened at long rests. In the blue pot was a roux that he was stirring mightily. In the black pot were three lobsters that had already turned red. He had stroked their backs before the plunge; he had told her that it calmed them. “But they still feel pain, of course,” he said. “I’m sorry to tell you.” Now he took the lobsters out of the pot, operating the tongs with his right hand, continuing to stir the roux with his left, and it was too hot for all of this, late summer in an old Victorian in Dorchester. No air-conditioning. One fan. Windows open to the still air outside.
This was how Ada Sibelius liked her father: giddy with anticipation, planning and executing some long-awaited event, preparing for a dinner over which he was presiding. David was only selectively social, preferring the company of old friends over new ones, sometimes acting in ways that might be interpreted as brusque or rude; but on occasion he made up his mind to throw a party, and then he took his role as host quite seriously, turning for the evening into a ringmaster, a toastmaster, a mayor
Liz Moore is the author of the novels The Words of Every Song (Random House/Broadway Books, 2007) and Heft (W.W. Norton, 2012), along with short fiction and creative nonfiction that have been published in print and online in venues such as The New York Times, Tin House, Narrative Magazine, The Tottenville Review, The Drum, and Five Chapters. Her novel Heft was longlisted for the International IMPAC Dublin Literary Award, and won the Medici Book Club Prize and Philadelphia’s Athenaeum Literary Award. She is a professor of writing at Holy Family University in Philadelphia, where she lives. In 2016, her novel The Unseen World will be published by W.W. Norton.