Sunlight/Substratum
My installation directs sunlight down to the substratum of the Casino Malvasia, a subtle gesture that illuminates the history of the space, including the brief residence of Galileo and his telescope. Through a precarious arrangement of mirrors, propped up with found objects, sunlight travels through two levels (with stairwells) finally landing upon a patch of olive tree roots growing down through the ceiling. The mirrors are positioned to work three hours prior to sunset, with the piece lasting between five and ten minutes. A poster was placed outside listing the dates and times for viewing, as it changes each day.
 

Sunlight/Substratum

2009
mirrors, found objects, sunlight
Sub Level: 216L x 237W x 128H inches Substratum: 381L x 143W x 91H inches


Aqueduct/Fountain

2009
garden hose, trap door, water
75 feet



A garden hose redirects water from a drinking fountain on the first floor to a section of Trajan’s aqueduct located under the basement of the American Academy. The water in Rome comes from the same natural spring in the mountains as it did in antiquity, so I was simply returning water from it current/modern infrastructure to that of its past, a perpetual flow that connects the multi-layered residues of history. In addition, all of Rome’s potable water supply eventually flows into the sewers, so the aqueduct amplified the waste that is difficult to see from a small flow in a drinking fountain. This was heightened by an olfactory presence of sewage naturally emanating from the aqueduct.


Vulci

2009
digital photograph
64 x 18 inches




Cosa

2009
digital photograph
28 x 16 inches




Alba Fucens

2008
digital photograph
53 x 13 inches




Scaffold 1

2009
ballpoint pen and tempera on paper
14 x 10 inches




Scaffold 2

2009
ballpoint pen and tempera on paper
14 x 10 inches
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